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Margarete Payer (Hochschule für Bibliotheks- und Informationswesen, Stuttgart) and Eeva Murtomaa (Helsinki University Library) in particular for their special focus on terms and definitions from the work of the IFLA Study Group on the Functional Requirements for Bibliographic Records Dr Issam El-Mallah (Oman Centre for Traditional Music) for his comment and assistance on the full example which uses Arabic script Dr Florence Gétreau (Musée National des Arts et Traditions Populaires, Paris) for consultation on the ethnographic collection multilevel entry and corresponding analytic entry examples Ian Gilmour (ScreenSound Australia) for his gracious and generous assistance over many months with physical description and related technological questions Cathy Bromley, Matthew Davies, Joe Kelly (ScreenSound Australia), George Boston (UK) and Martin Elste (Staatliches Institut für Musikforschung, Berlin) for detailed and useful comments on physical description, and Martin Elste, again, for additional comments relating to discography Dr.

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We thank Sten Hedberg (Uppsala University Library) for kind assistance with questions concerning cataloguing of electronic resources Malcolm Tibber and Angela Marriot (Music Alliance, London) and Elisabeth Iles (IFPI Secretariat, London) for their contributions on mechanical copyright and on international standard numbering systems to identify works, sound recordings and audiovisual recordings Ron Brent and Penelope Cottier (ScreenSound Australia) for their legal perspective on copyright Grace Koch (Australian Institute of Aboriginal and Torres Strait Islander Studies) for advice on rights of traditional owners and the illustrative example Nancy Seeger (Library of Congress) for assistance in obtaining copyright registration examples Beth Robertson (Mortlock Library of South Australiana) for her most kind encouragement on the 1997 Draft for Comment and recommendations to expand terms relating to oral history Dr David Rentz (Commonwealth Scientific and Industrial Research Organisation, Canberra) for guidance on constructed titles for wildlife recordings Prof. We thank the IASA Board, which commissioned this work, and especially Sven Allerstrand (President), Albrecht Häfner (Secretary-General), Gerald Gibson and James McCarthy (Past Presidents), and the institutions represented by Editorial Group members, for their continuous support and encouragement throughout the development of The IASA Cataloguing Rules. We thank in particular Olle Johansson for his excellent work in preparing and formatting the original draft through various revisions to the final text. Individuals and smaller teams within the group were engaged with drafts of specific chapters, and contributed discussion and undertook proofreading of the whole work through every stage of its progress. The venue changes from year to year and is not restricted to a particular country or continent.Į-mail: rules present the combined effort of the Editorial Group.

Here you will also find The IASA Cataloguing Rules as an electronic publication: IASA activitiesĪ yearly conference gives members the opportunity to meet and exchange news and information by open presentations, workshops, round tables, exhibits and demonstrations. IASA maintains a website which includes links to many related sites as well as current information. Back issues are available in limited numbers.

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Members receive both publications free of charge. News of interest to the Association is published in the Information Bulletin which appears quarterly. The IASA Journal is published twice a year containing special contributions, reports and reviews. archives of all sorts of musical recordings, historic, literary, folkloric and ethnographical sound documents, theatre productions and oral history interviews, bioacoustic, environmental and medical sounds, linguistic and dialect recordings as well as those for forensic purposes.

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The association supports the professional exchange of information and fosters international co-operation between audiovisual archives in all fields, especially in the areas of:Ībout 380 members from almost 50 countries represent a broad palette of audiovisual archives which are distinguished by their focus on particular subjects and areas, e.g.

The International Association of Sound and Audiovisual Archives (IASA) is an international non-governmental association, maintains operational relations with UNESCO, and was founded in 1969.